First there is the crashing of the waves. Then out of the ocean rises a whirling sound.
Step by step the music sets foot on the shore. A cosmic symphony takes its course.
Voices are moving in with the wind. A siren sings a song in a wordless language.
…Et Le Troisième Jour is a truly progressive piece of music. The criminally underrated debut by the Canadian duo Dionne-Brégent, released in 1976, is induced by the three movements above. Incarnation and the two parts of Chant D’Espoir indicate that the talents of Michel-Georges Brégent and Vincent Dionne form an absolute amalgam on this astounding album. While Brégent brings in a variety of synths, Dionne deploys a vast array of exotic percussion.